Finished! I think I learned a thing or two. This paper, as I mentioned, is tricky. I stuck with it though, and tried to get it to work for me. It took longer, and the effect is not what I intended. But I'm satisfied I did the best I could.
For those of you who do watercolor, this paper is Fabriano Artistico, 300 lb and I think it is hot press. It has a jel layer on the surface. So, watercolor doesn't soak in the paper. So I don't recommend it for washes and loose work. The paint sits on top. One of the aggravating things about it was: I did a light wash, on dry paper, below the rocks to depict the shadow of the rock on the water. It looked OK while wet. When I came back to it when it was dry, there was a dark outline. The paint migrates to the edge of the wash and leaves a very hard edge. Arches does not do that in such a noticible way. So then you have to go back in with a damp brush and soften a lot of edges. In the area of the willows where the dark evergreens are behind, I found it very hard to soften the edges, because then you lose too much color. I imagine that if I loved this paper and worked with it exclusively, that I would learn to use it. But after this project, I'm ready to go back to Arches. I think this painting took twice or three times longer to do than it probably would have on Arches.
Carolyn! Material: paper, canvas, really very affect on work! We always choose something with what we like to work. We get the result that we imagined.
ReplyDeleteI am still in search of watercolor paper that would fit me. Sometimes I use torchon paper, but sometimes it is not suitable for graphics work. It is very nice to wash colors. Carolyn, have you used torchon paper?
I think you could do the work that you imagined! I like this composition, as a drop of water stretching from us to a trees.
I think that with this paper to draw reflection in the water you could not easily! But I love them! :-)Hey-ho!
Thank you Ti-igra, you are very encouraging. No, I have never tried Torchon paper. I actually have never heard of it. I'll have to look into it. Thanks for the tip!
ReplyDelete:-) Carolyn, I think you know about this Torchon paper. I like to work with it like this. First, wet the entire leaf. Then moisture is in the paper dries a bit La-la-la! And you can make Blur such wonderful and very soft!
ReplyDeleteHere page about it. http://www.greatart.co.uk/CANSONMONTVALTORCHONWATERCOLOURPAPER-water-colour-sheets-rolls.htm
Hey, thanks Ti-igra!
ReplyDelete