



I'm back from my pastel workshops. Tomorrow I can post about it, and post my work done there. But for now, here is a substitute post: This pastel was done when I was just starting out with it - in 2006. I have to thank my daughter for getting me a box of soft pastels for a gift. This was done on black paper (with no grit). It was done quickly and...I still like it! I like the freshness of it. It is very "happy" looking. It now belongs to my daughter - it was her favorite and I had it framed for her and presented it to her for her birthday a couple of years ago.
Last spring I started pastel painting en plein air for the first time. It is really hard!!! My goal was to do a little painting (about 9x6) in an hour. Later (after I aquired more pastels in more subtle shades) I did a larger one in the "studio" (which is really the kitchen counter), using my little painting and photographs as a reference. Here are those pictures.
This is the view from the sand dunes of Washoe Lake, looking up at Slide Mountain. The spring snow is still there on the northern slopes, the willows are still russett colored from the freezing temperatures of winter, and the sage is starting to get fresh blue-green foliage.
Ok, I have done the Resting Cheetah in pastel (previously posted), and today I finished a watercolor version. I'm curious which one you like better?
One has to take advantage of the weather when it is good. So, I've gone riding to Washoe Lake with my buddy Casey.





Yesterday I finally felt well enough to go visit my horse. I haven't visited him since we went to Mexico, and it was very reassuring to see him doing just fine, just the way I left him: hairy, happy and begging for cookies. This is probably why I chose to do this zebra picture next....horse on the mind. I now do sketches or value studies before painting in watercolor. The pastel classes emphasize this, so, I'll do it for everything now. It is also giving me some time to figure out how I will do this painting and practice the animal so I don't struggle with it later. So why not do my horse? I already did a few years ago. I did this for myself to memorialize my favorite horse buddy. For those of you who get the Arabian Horse Magazine, you may recognize this picture of years ago. I admit it - I used the cover of the magazine to help me with the pose and tack, but turned a grey horse into my own chestnut guy and changed the color of th
e tack. I no longer use other people's photos, as it is plagiarism, but I was a student at the time, and this was for myself. After losing a previous horse suddenly, I realized how important is is for me to paint my own animal to remember all the good times we had, long after they are gone.



