"Winter Meditation" pastel painting

I've been busy in the studio lately!


11 x 14 pastel on board

I just finished this painting today and it will go to a Sierra Pastel Society Show next week.  I may not have time to paint a second painting, but will try.  In the meantime, I have selected 2 other paintings I did in the last 2 years and will frame them to go. 

I have an announcement!  My painting "Watching the Stream" won Award of Excellence in last month's Sierra Pastel Society's Signature Show!  I am so astonished, as this was my first signature show and the competition is strong.  



"Watching the Stream"



"Melons and Silver" is done! Woo-hoo!



11 x 14 watercolor on 400lb Arches coldpress

 It feels so good to finally finish a project that had to be set aside for a long time...
Thank you Anne Abgott for a wonderful workshop and sharing your techniques.

Picking up where I left off...

It has been a year since I took the watercolor workshop from Anne Abgott.  It was a wonderful workshop.  The last day we had only half-day to start this painting.  We were all given color and black and white photographs to work from, and Anne gave a demonstration on painting the melons and the silver and cup.  None of us got much done, and I really wanted to finish this.  I re-read my notes from the workshop, and re-studied her book "Daring Color" to refresh my memory on her technique.  It is fun to do watercolor again!  And I'm enjoying working in my studio at my drafting table that was in storage for 4 years.

I can see colors on a cloudy day!



8 x 10 pastel on peach LaCarte plein air

 Today it was cloudy and overcast all day.  At first I thought it would make for boring scenery and lower my inspiration to paint - the sky casting a grey muted light over the landscape - making it seem grayer than it would be in bright sunlight and turquoise sky.  But once I set up and picked my scene, I was happy I could gaze at it longer than on a sunny day.  It was not blinding me.  No bright light was bouncing off the rocks, plants, leaves, soil - which obliterates the colors of these things.  The longer I gazed, the more richer the colors became.  It was one of those ah-ha moments.  I won't be discouraged by grey skies again.

Inventing the sky

There were more "assignments" our teacher, Richard McKinley, gave us at a workshop a few years ago.  One was to paint the same painting with different lighting and atmosphere.  So, I did that here.  I looked at my field study from the other day of the desert buttes and invented a southwestern sunset sky.  This was fun.  I got to use colors from my pallette that are different from what I'm used to. 

Painting from a plein air field study



8 x 10 pastel on pale olive green LaCarte

 The other day I painted out in the field, but wasn't happy with what I did.  I'm painting plants I am unfamiliar with, and experimenting with the pastels how to paint a "whispy" tree.  So today I did a new painting, using the other painting and my photo displayed on my laptop for reference.  Teachers have said this is a good thing to do - to paint from your sketches or field studies.  It really frees you up to experiment - I changed the format from portrait to landscape, I moved trees, rocks and the path.  I got the wispy tree better this time.  I think this painting is a little bit better, but I still see things here I could improve on.  I can see the benefit of this type of work.  I should do this more often.

Hiking and painting in the desert



8 x 10 pastel on tan LaCarte

 This is a quick plein air of really neat desert park - Lost Dutchman State Park, AZ