Beginning a new painting of cone flowers

Sometimes it is nice to do something a little different.  I took a close-up photo of cone flowers in a garden and I'm starting a painting here.  This is blue La Carte paper with a dark green pastel underpainting that is diluted with odorless turpenoid.  I really like this method too.  The shapes are soft right now, but will be built up layer over layer, so you will see the plants "grow".

We have some fun things coming up.  Tonite my husband and I will go to the Sparks Nugget Rib Cook-Off.  For those of you who've never been, it is a street fair of sorts.  BBQ rib specialists come from all over the country and also Australia, to compete for the "best ribs".  Yum!  And I don't have to make dinner tonite either!  There is also funnel cakes and corn on the cob, live music, and usually a craft fair.

Then, in another week will be the Hot Air Balloon Races.  I am entering two watercolor paintings in the Sierra Watercolor Society Art Show that is at the races each year in the museum at the park there. 

Two Trees - a pastel painting

Finished!  This watercolor underpainting technique is really thought-provoking.  What I mean is, you don't have as much control of the watercolor as you do when doing the dark notan (map of darks) technique.  With watercolor, I stared and stared and made adjustments based on the watercolor underpainting - which is more abstract in a way.  For instance, I made rocks where there were none because the watercolor looked like rocks.  This painting took me longer because of this.  I can't imagine doing this technique in a few hours on location!  Right now it is taking me 3 days to complete a painting in the studio!!!  Must practise more and more before mid-Sept!!!!

Dealing with the problem - my own solution - and a glass of wine!

OK, so I'm still practising the method we will be using in Richard McKinley's workshop - a watercolor underpainting on white Kitty Wallis.  I have been having this problem with the paint being pale, dry and not drippy like I've seen pictures of him do.  Maybe it is because the brushes I'm using don't hold a lot of water/paint.  But you have to use old beat-up synthetic brushes because the sanded surface will eat your delicate and expensive watercolor brushes.  So - why not do something different than him????? 

Instead of having the paper upright on the easle, I laid it down on the table.  Now the paint stayed put in a nice juicy wet area.  When I wanted it to drip, I tilted the paper.  Then I laid it back down.  When the sky was just about dry, I painted the tree trunks nice and juicy wet.  Then I blew the paint outward to make the branches.  No matter that there are too many - I can pastel over the ones I don't want.

So here is the beginning of pastel overlay.  I think I've had a little too much wine with dinner tonight!  So I'm going to stop right now!  It's OK that it makes me loose - it is just the "sleepiness" might make me sloppy.

"Creek Walk" a pastel painting AND "painting with thread" project

My first painting on white Kitty Wallis.  This was a little bit of a struggle.  I found the techniques I used on the PastelBord (for water) did not work on Kitty Wallis.  So I spent more time experimenting, finding a way to work. 

I have a little bonus show-n-tell.  First - a thank you to http://pintangle.com/ for listing me as one of the interesting blogs to visit!  Since Pintangle is a fiber and stitching-related blog, I will show a little stitching project I am working on.  It is of two macaws and I am showing a detail of it.  I am "painting with thread" to fill in the design.  It will take a long, long time ... so don't hold your breath to see this done anytime soon!  I must tell everyone that I did not design this.  It was from an iron-on transfer book I got in 1982!!!!  But I always loved the design and wanted to do a stitching project with it.

Underpainting on Kitty Wallis

Today I did a watercolor underpainting on white Kitty Wallis sanded paper.  Next, pastel.  This shall be interesting....

"Willow Creek" a pastel painting

I finished this painting today. 

On technique:  I heard from another pastelist who took Richard McKinley's class, that she found Kitty Wallis paper in white took watercolor beautifully compared to other surfaces.  So, I hopped on the internet and ordered more so I could have enough for the workshop and practising before I go.  So the next piece will be on Kitty Wallis.  I'm curious to try this out.

Working outside my comfort zone - work in progress

OK, now we are practising Richard McKinley's technique before I attend his workshop.  We have a choice of Kitty Wallis paper in white, Uart, and PastelBord in white.  I'm saving my Kitty Wallis for the workshop.  So I'm practising on something similar - PastelBord.  I am using a photographic reference and working inside the "cool" airconditioned house - it is sweltering outside.  I did the watercolor underpainting while the board was upright and let it drip.  And now I am beginning to put pastel on it - working up the darkest areas since the watercolor dried much lighter - that clay in the PastelBord really sucks it up.

This feels uncomfortable and foreign after working on (and feeling at home with) LaCarte paper.  So, I don't know how this will turn out.  More on this tomorrow ...